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Paul Falconer Poole
Paul Falconer Poole (1806–1879) was an English subject and genre painter born in Bristol.
==Life and work==
Though self-taught his fine feeling for colour, poetic sympathy and dramatic power gained for him a high position among British artists.〔(【引用サイトリンク】url=http://www.victorianweb.org/victorian/painting/poole/index.html )〕 He exhibited his first work in the Royal Academy at the age of twenty-five, the subject being ''The Well,'' a scene in Naples.〔(【引用サイトリンク】url=http://www.19thcenturyphotos.com/Paul-Falconer-Poole-125619.htm )〕 There was an interval of seven years before he next exhibited his ''Farewell, Farewell'' in 1837, which was followed by the ''Emigrant's Departure,'' ''Hermann and Dorothea'' and ''By the Waters of Babylon.'' In 1843 his position was made secure by his ''Solomon Eagle,''〔(【引用サイトリンク】url=http://www.bbc.co.uk/arts/yourpaintings/paintings/solomon-eagle-71409 )〕 and by his success in the Cartoon Exhibition, in which he received from the Fine Art Commissioners a prize of £300 sterling. After his exhibition of the ''Surrender of Syon House'' he was elected an associate of the Royal Academy in 1846, and was made an academician in 1861. In the 1850s he lived at 43 Camden Road Villas (now 203 Camden Rd) near Camden Town.
Poole's subjects divide themselves into two orders, one idyllic, the other dramatic. Of the former his ''May Day'' (1852) is a typical example. Of both styles there were excellent examples to be seen in the small collection of his works shown at Burlington House in the Winter Exhibition of 1883-1884. Among his early dramatic pictures was ''Solomon Eagle exhorting the People to Repentance during the Plague of 1665,'' painted in 1843. To this class belongs also the ''Messenger announcing to Job the Irruption of the Sabeans and the Slaughter of the Servants'' (exhibited in 1850), and ''Robert, Duke of Normandy and Arletta'' (1848). Finer examples of his more mature power in this direction are to be found in his ''Prodigal Son,'' painted in 1869; the ''Escape of Glaucus and lone with the blind girl Nydia from Pompeii'' (1860); and ''Cunstaunce sent adrift by the Constable of Alla, King of Northumberland,'' painted in 1868. More peaceful than these are the ''Song of Troubadours'' (painted in 1854) and the ''Goths in Italy'' (1851), the latter an important historical work of great, power and beauty. Of a less lofty strain, but still more beautiful in its workmanship, is the ''Seventh Day of the Decameron,'' painted in 1857. In this picture Poole rises to his full height as a colourist. In his pastorals he is soft and tender, as in the ''Mountain Path'' (1853), the ''Water-cress Gatherers'' (1870), the ''Shepston Maiden'' (1872). But when he turns to the grander and more sublime views of nature his work is bold and vigorous. Fine examples of this style may be seen in the ''Vision of Ezekiel'' of the National Gallery, ''Solitude'' (1876), the ''Entrance to the Cave of Mammon'' (1875), the ''Dragon's Cavern'' (1877), and perhaps best of all in the ''Lion in the Path'' (1873), a great representation of mountain and cloud form.
Poole was a close friend of landscape artist Thomas Danby (c. 1818–1886) with whom he shared a house in Hampstead, London for a time.〔(【引用サイトリンク】url=http://www.oxforddnb.com/view/article/22519?docPos=1 )〕
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